Kommende Veranstaltungen
National Arts Centre (NAC-CNA)
Juni 15, 2023 – Juni 17, 2023
Wolfgang Amadeus Mozart: Don Giovanni – Title role
Boston Symphony Orchestra / Tanglewood
Juli 15, 2023
Wolfgang Amadeus Mozart: Così fan tutte – Guglielmo
“Elliot Madore, the baritone soloist, was strikingly warm and sonorous…and impressive in his ability to work falsetto and chest voice, the high and low extremes of his voice, into a single convincing line.”
“The confrontation with the stone guest also put the cap on a splendidly credible performance of the title role by the Canadian baritone Elliot Madore, who looks the part, magnificently so in his final defiance, and who sang throughout with considerable style and nuance.”
Martin Kettle, The Guardian
Biographie
Der mit dem Grammy Award ausgezeichnete Bariton Elliot Madore hat sich als einer der gefragtesten und versiertesten Sänger seiner Generation etabliert. Mit seinem Gesang und seiner Bühnenpräsenz („robust singing and take-no-prisoners acting“ The New York Times; „exquisite vocal beauty“ Opera News; „movie star good looks“ Merkur) gelingt es dem Kanadier, das Publikum weltweit zu begeistern.
Mit gerade einmal 34 Jahren steht Elliot Madore bereits ein gutes Jahrzehnt auf den Bühnen der grossen Opernhäuser und Orchester Europas, der Vereinigten Staaten, Asiens und Kanadas.
Tonaufnahmen
Batter my heart - John Adams
Largo al factotum della città
“The casting of the title role is pivotal in any Don Giovanni production. Elliot Madore meets the challenge with a riveting portrayal, buttressed by strong vocalism. Conniving and slightly mad, this Don craved seduction. Even when he was not singing, he seized attention, so potent was Madore’s theatricality. His sizable baritone could sound robust in the Champagne aria or mellifluous in a softly gentle “Deh vieni la finestra.” This Don was a formidable adversary, almost frightening in his refusal to repent in defiance of the abyss that awaited him.”
“Elliot Madore, a Canadian baritone in only his third appearance at the Met, is a swashbuckling Figaro, vocally and physically assured in a role he seems tailored for. Needing a shave himself, he races through a rapid-fire “Largo al factotum” (“Calling a barber in Seville” in English) with confidence.”