Elliot Madore

bariton

Elliot Madore

bariton

Kommende Veranstaltungen

  • Calgary Opera

    April 25, 2020 Mai 1, 2020

    Ariadne auf Naxos – Harlekin

  • Chicago Symphony

    Mai 7, 2020 Mai 9, 2020

    Carmina Burana – Soloist

  • Cincinnati Symphony May Festival

    Mai 23, 2020

    El Niño - Soloist

“Elliot Madore, the baritone soloist, was strikingly warm and sonorous…and impressive in his ability to work falsetto and chest voice, the high and low extremes of his voice, into a single convincing line.”

Anne Midgette, The Washington Post

“The confrontation with the stone guest also put the cap on a splendidly credible performance of the title role by the Canadian baritone Elliot Madore, who looks the part, magnificently so in his final defiance, and who sang throughout with considerable style and nuance.”

Martin Kettle, The Guardian

Biographie

Der mit dem Grammy Award ausgezeichnete Bariton Elliot Madore hat sich als einer der gefragtesten und versiertesten Sänger seiner Generation etabliert. Mit seinem Gesang und seiner Bühnenpräsenz („robust singing and take-no-prisoners acting“ The New York Times; „exquisite vocal beauty“ Opera News; „movie star good looks“ Merkur) gelingt es dem Kanadier, das Publikum weltweit zu begeistern. Mit gerade einmal 32 Jahren steht Elliot Madore bereits ein gutes Jahrzehnt auf den Bühnen der grossen Opernhäuser und Orchester Europas, der Vereinigten Staaten, Asiens und Kanadas.

Mit gerade einmal 32 Jahren steht Elliot Madore bereits ein gutes Jahrzehnt auf den Bühnen der grossen Opernhäuser und Orchester Europas, der Vereinigten Staaten, Asiens und Kanadas.

Tonaufnahmen

Batter my heart - John Adams

Elliot Madore, Klavier: Rachel Andrist

Largo al factotum della città

Elliot Madore, Mozarteumorchester Salzburg

“The casting of the title role is pivotal in any Don Giovanni production. Elliot Madore meets the challenge with a riveting portrayal, buttressed by strong vocalism. Conniving and slightly mad, this Don craved seduction. Even when he was not singing, he seized attention, so potent was Madore’s theatricality. His sizable baritone could sound robust in the Champagne aria or mellifluous in a softly gentle “Deh vieni la finestra.” This Don was a formidable adversary, almost frightening in his refusal to repent in defiance of the abyss that awaited him.”

Lawrence Budmen / South Florida Classical Review

“Elliot Madore, a Canadian baritone in only his third appearance at the Met, is a swashbuckling Figaro, vocally and physically assured in a role he seems tailored for. Needing a shave himself, he races through a rapid-fire “Largo al factotum” (“Calling a barber in Seville” in English) with confidence.”

Wilborn Hampton, Huffington Post